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The Settings pane is where you configure various settings for the instrument, including useful features for streamlining the engine’s workload if your host system needs a little help. The four large buttons arranged along the top edge provide access to other elements of the interface. When using either of the ProDrummer volumes, the main Play 4 ‘Player’ window gives you a drummer’s-perspective 3D graphic of the virtual drum kit, and you can audition the loaded sounds by simply clicking on the appropriate kit piece.
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Play itself requires a 64-bit OS but, even though a 64-bit host is also recommended, I was able to run Play with ProDrummer using the 32-bit version of Cubase Pro 8.
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You get a stand-alone version of Play 4 plus plug-in versions in VST, AU and AAX formats. Authorisation can be either machine-specific or to a USB iLok key but, as with most modern music software, this proved pretty painless on my test system. Volume 1 of ProDrummer is a 60GB download, while Volume 2 comes in at just 40GB, with all the samples presented in 24-bit/44.1kHz format. So, if you are in the market for a sophisticated virtual drum instrument, how does ProDrummer fare? And, if it finds its way to the top of your wish-list, should you go for a one-off payment or subscribe to Composer Cloud? Set Up The Kit While you can still buy individual library licences, EastWest now provide a monthly subscription option and, depending upon the subscription level you opt for, you can access the entire catalogue (with a combined value of over $11,000) for as long as your subscription lasts. because the other interesting thing about ProDrummer is that it is EastWest’s first release since they launched their new Composer Cloud service.
Unfortunately, given that that catalogue is (a) extensive and (b) expensive (undoubtedly value for money, but this is top-end stuff), you would need a loan from someone who actually is a successful Hollywood composer in order to fill said RAID array. If you happen to be an aspiring Hollywood composer, you could do a lot worse than equip yourself with a RAID array stuffed with EastWest’s entire back catalogue.
EastWest’s own Doug Rogers provided the glue to bring it all together. Volume 2, meanwhile, was created by Joe Chiccarelli with drummer Matt Chamberlain, whose credits include Pearl Jam, Bruce Springsteen and Peter Gabriel. For volume 1, that’s none other than Mark ‘Spike’ Stent, with Steven Sidelnyk, whose credits include Madonna, Seal and Massive Attack, on drums. The interesting twist is that each ProDrummer volume has been created through collaboration with a top-notch, high-profile producer.
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The core function of these libraries is not unlike BFD3 or Superior Drummer, in that each library provides you with some mega-detailed, sample-based acoustic drum kits, full mixing facilities, effects options and a huge collection of MIDI drum patterns. The latest additions to the EastWest roster are actually two related products, called ProDrummer Vol 1 and ProDrummer Vol 2. All these products now use EastWest’s own Play 4 engine, albeit often with a customised front-end interface.
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Need a professional drummer in your studio? How about auditioning EastWest’s ProDrummer for the job?ĮastWest have a substantial catalogue of high-end sample libraries, which are used by an equally high-end roster of composers and musicians.
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